VeganMedusa's Reveal:
Beyond Black by Hilary Mantel Book DescriptionAmazon.com
From The Washington Post's Book World/washingtonpost.com
Hilary Mantel's Beyond Black is an acquired taste, and I have acquired it. The novel is original and deeply dark, but as one interpretation of its title suggests, the author tries hard to push herself past the stark grimness of the world she describes and take the reader somewhere new and compelling.
The book explores the relationship between a genuine-article psychic named Alison and her assistant, Colette, as they travel through England, along with Alison's spirit guide, a lowlife figure from the past called Morris, who is forever sprawled in doorways and lounging on chairs, playing with his genitals or muttering. The obese, tormented Alison and the singularly repellent Morris are characters who (as you might expect) can be hard to take and (as you might not) still harder to turn away from.
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Beyond Black is a daring and extravagant book, filled with as much wit as darkness. Sometimes, wit can't really replace light, and I found myself longing once in a while for the novel to take a sudden sharp turn and leave the paranormal and the traumatic far, far behind. I never got my wish, of course, which is probably just as well. Mantel's books are boldly different from one another; her novels have taken place among missionaries returning from Africa, in France during the Revolution, and in present-day Saudi Arabia. This, her 10th, is expansive and ambitious. It is not an entirely loveable novel, nor does it seem to aspire to be. She reminds me a little of an English Margaret Atwood, going anywhere and everywhere she likes as a writer, while never losing her finely honed sensibility and ear for the way people really talk to each other.
Contemporary American audiences remain captivated by TV psychic John Edward and his ilk, indulging him as he "struggles" to pull a name of a dead loved one from the air, recount a trip, or describe a lost trinket. His admirers, like people the world over, want to believe in something beyond the very ordinary confines of their lives. Readers of fiction want something different: They long for writers to pull fully formed characters from the air and animate them, to dredge up entire histories and futures with a conjurer's panache. They will be satisfied by Hilary Mantel's abilities to perform these feats, and to imbue her writing with a unique combination of exhilaration and dread. With Beyond Black, she shows us how fiction can lift us into the extraordinary.
This book is still TBR, but I feel confident that it's a good one with a recommendation from Philip Pullman "One of the greatest ghost stories in the language". :D