Mine is a Take One, Two, or Three Offer:
The Wishing Jar by Penelope Stokeshttp://www.bookcrossing.com/journal/3754161
Stokes has an unquenchable penchant for using the symbolism of objects as a springboard for her stories (The Memory Book; The Amber Photograph; The Treasure Box) and this novel predictably combines her distinctively good writing with a mostly recycled plot line involving time travel and women looking to the past for guidance. This contemporary tale, aimed loosely at evangelical Christian women, features 51-year-old widow Abby Quinn McDougall lamenting her life. She feels trapped between a surly teenage daughter, Neal Grace, and an aging live-in mother who requires her careful attention. On the family bookcase is an ivory porcelain "wishing jar," an heirloom that's purported to work its magic for those with deep yearnings. Abby, Neal Grace and Granny Q all long for change, and their wishes become the axis around which the story spins. The novel, in three parts, starts strongly, then slips into a time travel sequence that is fairly imaginative, but weakens the narrative and slows the pace. The multigenerational relationships of women are always good fodder for fiction, yet some of Stokes's plot elements (death by drunk driver, a hospital scene turning point and an unwed teen pregnancy) are hackneyed motifs in evangelical fiction. Stokes's established readers will feel a sense of d‚j… vu, though her prose is smooth as butter. One wonders what Stokes might be capable of should she stretch her wings and risk a little bit more.
The Pirate Queen: the Story of Grace O'Malley, Irish Piratehttp://www.bookcrossing.com/journal/5915405
From Publishers Weekly
Gold celebrates the bravura of "a woman in a man's world" with his swashbuckling second novel (after Warrior Queen) about a 16th-century Irish buccaneer as gorgeous as she was dauntless. Set against the backdrop of Ireland and England from 1544 to 1588, the novel tracks Grace O'Malley's career from girlhood to middle age, with the occasional chapter cutting away to Queen Elizabeth I, an equally red-haired, resourceful and outspoken heroine. The daughter of a chieftain and merchantman–cum–pirate, Grace takes up her father's trade and commands a merchant fleet by age 30. An astute trader, ruthless pirate and Irish patriot, she plunders the ships of the Dutch, French, Spanish and Turks—and with particular relish stymies the oppressive English. She also achieves two marriages, four children and many amorous liaisons. Grace's story meets Queen Elizabeth's toward the novel's end, when the English kidnap Grace's youngest son. The Irishwoman courageously calls on the queen to ask for her son's return, and the two kindred spirits spend a remarkable night together of shared confidences and political wheeling and dealing. This fantastical yarn will satisfy readers looking to root for a strong woman with a sharp sword and even more pointed tongue.
The Wild Irish by Robin Maxwellhttp://www.bookcrossing.com/journal/5002055
From Publishers Weekly
Two powerful women of indomitable will-Elizabeth I and the sea-loving Irish pirate, Grace O'Malley-collide in this vivid but ungainly historical drama. Maxwell (The Secret Diary of Anne Boleyn, etc.) introduces the fabulous queen at 60, her face white with alum and eggshell paint and her red wig ablaze. Twice the age of her confidant, the brilliant Robert Devereaux, earl of Essex, she is brittle and bitter, loath to show any weakness or mercy. Determined to stamp out the ongoing unrest in Ireland, she calls on the notorious O'Malley for counsel. O'Malley's son and brother are in the custody of the English, and it is for their sake that she agrees to appear before Elizabeth. In an extraordinary private conference late at night in the queen's rooms, the Irishwoman tells her own story, which is the history of an island nation at war with England and itself as well as of a woman who has lived a long and turbulent life. Moved by her tale, Elizabeth grants her wishes, but soon finds herself sending Essex to destroy the rebellion raging in Ireland. Ravaged by syphilis and outnumbered two to one, Essex is persuaded by O'Malley that there is no shame in asking for a truce, and he makes peace with the Irish. Though he rushes back to Elizabeth hoping for her blessing, he falls from favor and desperately engineers a hopeless uprising. Maxwell's double portrait of two aging women is warmly drawn ("Look at us," says Grace. "Two old birds fightin' for the same feckin' worm"), but the novel's pacing is erratic, its leaps from England court intrigue to Irish battle scenes jarring.