The Book of LilithBy Robert G. Brown
ISBN-10: 1430322454
ISBN-13: 978-1430322450
Paperback, 240 pages
July 31, 2007
Lulu
The Book of Lilith is an extraordinary fictional account of the life of Lilith, here portrayed as the first woman of Creation rather than the succubus or demoness of certain myths. The story begins with the somewhat exasperated account of a college professor, perplexed at why he has been chosen as a key contact for the Iraqi woman who has salvaged a collection of scrolls she believes are valuable. The woman has been beaten, raped, and enslaved, but she still manages to trick her captor into allowing her use of the Internet--not so she can seek asylum, but so she can share her find with someone who will appreciate it. She scans in photographs of the ancient scrolls to ensure a record of their discovery in the event of their untimely destruction.
Upon translation, the professor and his colleague realize the magnitude of this incredulous find. The scrolls are the account of the creation of man, told from the point of view of Lilith, the mother of all. Lilith's tale places a feminist spin on the story of Creation, purporting the weaknesses of Adam and his naturally tendency toward sin. As seems to be a pattern in this tale, Lilith is beaten and raped by Adam, and quickly flees Eden, refusing to accept his aggression. Thus, Lilith is also the first single mother. On her own, she accepts her duty from God (portrayed as Inanna to Lilith, though God takes on a masculine form when "it" appears to Adam), which is to provide the empty vessels of humanity with souls. Lilith's task is not an easy one, as Adam will be a constant inhibitor of her higher purpose due to his obsession with sin. Eventually, Lilith will come to represent two feminine archetypes: her own independent self and Eve, self-chosen submissive to Adam.
If any of the story seems outrageous or disturbing, it isn't at all because the author's own brand of sarcasm makes every aspect of the tale completely plausible. Brown's suggestion that shopping is actually a form of worship or that Adam's key hangup with Lilith was her refusal to be on bottom during intercourse is just a taste of the tongue-in-cheek humor that follows the reader on this journey. When the story begins, Brown eases the reader into the plot with wit, but as Lilith's story evolves, the sarcasm actually begins to fade. By the end of the book, the depth of the theology involved is such that the reader will find themselves immersed in contemplation of the meanings suggested, leaving the humor behind. Through Brown's fiction, he brings to light some of the true inconsistencies and irrelevance of the tenets of major religions.
I found myself emotionally involved in Lilith's tale, at times laughing out loud, at times brimming with joy or seething with anger. At some points, I was lost in the story so much that it seemed real to me, and when I brought myself back to reality, I longed for it to have been a true account. It's a wonderful work of fiction that encourages the reader to examine humanity's existence and the sacred feminine from many perspectives.